Monday, October 24, 2016

Thoughts on Penmanship


I was reading the New Yorker's website today and came across an interesting story about the teaching of cursive in schools. As anyone knows who has paid any attention to or interest in the subject, or has children in school, it will come as little surprise to know that fewer school systems are teaching cursive writing skills. Much of this has to do with the way that "written" communication is now conducted, via the intermediary of email and texting, instead of ink on paper.

The author of the New Yorker piece was describing his personal experience with his child at summer camp, how he was the only parent who sent postal letters, written longhand, instead of email, to his child.

For many of us who grew up with longhand, ceding those hard-earned skills to technological innovation seems instinctive, yet is a futile battle not worth fighting. Certainly we can do our own part in finding ways to keep those cursive skills in personal use. But resisting the tide of change that has swept over education seems out of our reach, a bridge too far. Who are we to fight the Board of Education?

The part of the New Yorker article I found most striking was the author recounting how, after sending numerous letters to his kid's summer camp, he suddenly wondered if she had been able to read them at all. It turns out that she had to enlist the aid of her camp counsellor in order to get through them. This is the part of the story that is most sobering, the idea that cursive can seem an entirely foreign language to those not adept at its interpretation.

Like most kids raised in the 1960s, I was taught the classic Palmer method of cursive in grade school, sticking with it until, in high school, my habit of rapid note-taking reduced my cursive skills to a haphazard printed scrawl, which it remains to this day. Any attempt to produce textbook-quality cursive for me now is akin to performing calligraphy, a purposeful, slow process of consciously forming each letter; not the flowing ease of writing the technique originally intended.

Perhaps this is one reason why I enjoy the use of manual typewriters so much, the ability to produce legible printing at a rapid pace while enjoying the mechanical interaction. Then there is the observation that, although I enjoy owning and using fountain pens with my coarse scrawl, they are best employed with a cursive hand, to facilitate the continuous flow of ink such a pen demands.

I have some close friends whose kids, now grown, were home schooled, and taught an elegant, printed hand instead of cursive. Their letters are wonderfully legible, even more so than cursive which, though somewhat readable retains some of the more complex flourishes of earlier techniques. So while I can lament the demise of cursive, it's not so much about that particular style of handwriting as it is about handwriting in general being displaced by keyboarding.

I've noticed this phenomenon about pens, especially ballpoints, how they seem to be treated by many people as equivalent to toilet paper, in the sense of not seeming to possess much intrinsic worth or value. These days, if you permit someone, even an intimate family member, to "borrow" a pen, you know with almost absolute certainty that you will never see that writing instrument again, regardless of its actual value. I suspect this has something to do with the value that our culture places upon handwriting as a form of communication, which can seem to many as redundant.

Of course, to us office supply geeks, pens, any pen - even the lowly Bic Cristal - are objects of reverence and honor.

It is perhaps ironic that I was, just this morning, scribbling in my composition book with a fountain pen, in my almost illegible scrawl that is far from the ideal of the Palmer method, prior to happening upon that New Yorker article. And it is with even more irony that this article is being keyboarded instead of handwritten; though I've done few if any pen-casts in my blog over the years, mainly because I respect my readers too much to demand that they attempt to decipher my chicken scratchings.

It is for these reasons that I see my handwriting as best suited for note-taking, brain-storming or first-draft, early-stage writing, an entirely personal activity, intended for private consumption only.

One of the things I find so satisfying about handwriting, whether cursive or otherwise, is that it employs one of those primary physiological attributes that defines us as human, that being the dexterity of our hands. Little wonder that writing is one of the "humanities," and penmanship such an essential historical antecedent to today's writing technology.


Tuesday, October 18, 2016

Afghan Box Camera Update


Afghan Box Camera Selfie, Harman Direct Positive Paper
The Hipstamatically soft thumbnail image for the video

Post-Script: This was an enjoyable project to work with again, as was the video edit itself. I hope to provide more updates as they warrant; hopefully a bit more timely than the year and a half gap since the project's inception.

This marks the first time I've used my Android tablet for video production, enabled only after an extensive period of fiddling around yesterday. I had to purchase a video editing app, learn to work it, then figure out how to transfer files from my camera. What ended up working the easiest and quickest was simply to transfer the camera's micro-SD card to the tablet.

Transfering and managing files on the tablet was only possible with a file transfer and management app, also acquired yesterday. Once the video edit was completed and finalized, I had problems uploading the video to YouTube via the tablet's browser, something I've been able to consistently do with my iOS devices. I ended up wiring the tablet to my desktop PC via USB and transferring the finished movie to its hard-drive, after which it was relatively painless to get it online. So while it worked, it isn't conducive for video production on the road, which will have to rely on the iOS platforms instead.

It's all too easy to get inundated in the minutia of the technology and forget what the purpose is for, which is why I like solutions that are less error-prone. The only advantage the Android tablet offers me is an expanded memory size, since I can use external SD cards instead of, in the case of iOS devices, having to rely on their internal, unexpandable memory.

Typecast via Olivetti Underwood 21, the subject of a recent episode of the Typewriter Video Series. And I liked using once again the green engineering grid paper.

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Monday, October 17, 2016

More Muddled Mobile Musings


Part One: Wrangling With Writing

There was a time yesterday, as I was attempting to finalize a video for upload to YouTube, that I thought it was all over, this idea of using a simple iPod Touch device as my main tool for video production. I've been trying to keep from having to use my old desktop PC as a video production platform, for a number of reasons. One, it's an older platform; two, the software is outdated; three, I don't know of a video production solution for PCs that is as simple, stable and elegant as is iMovie on the iOS devices; four, a mobile solution means that I can, if so desired, continue to create and publish videos while on the road, which I can't do with a desktop PC.

Apple's mobile platform is pretty stable and mostly well-thought out in design. But the main nagging problem with these iOS devices, and why I recently purchased this newer iPod Touch with twice the memory capacity as my older iPad2, is that their internal memory cannot be expanded, and file transfers are pretty limited. My older iPad was becoming a problem as a useful tool for video production, because its limited free memory meant I had to keep productions below a certain size. Since I've been using this new iPod Touch, I haven't had much of a problem. Until yesterday.

Since purchasing the little iPod, I had installed Hipstamatic, a photography app, and iAWriter, for use as a writing tool. Other than those two, the iPod remained as it was purchased. You wouldn't ordinarily think that merely installing two more apps would make all the difference in the world with the way the device performed, but it certainly did. Without enough internal memory, all of those raw video clips that get imported during a project take up so much room that there isn't enough left over to finalize and upload a project; this was the problem I was seeing yesterday.

I knew I had to keep Hipstamatic, since I use it to create my thumbnail still photos that get attached to the videos seen on YouTube; these thumbnail images need to be less than 2Mb in order to upload successfully to YouTube; the default camera app for iOS creates images too large, with no way to downsize their files, while Hipstamatic offers lower-res version. So I deleted iAWriter, which freed up enough room to permit yesterday's video project to be completed and uploaded. Having to delete this dedicated text editing app was a disappointment, since I had hopes of being able to use the little iPod also as a writing tool, along with the recently acquired mechanical keyboard, as a sort of replacement AlphaSmart Neo.

But actually, I discovered I could still make it work for writing, as a form of electric typewriter. Permit me to explain.

Yesterday morning I made a motorcycle ride down to my favorite coffee shop, Winning Coffee, and had a cuppa while conversing with a table of regulars, while also getting a bit of writing done. I had brought with me the mechanical keyboard in its cloth carrying pouch, along with the iPod Touch, its wooden holder and the necessary cable and adapter. It turns out that the entire rig will fit easily inside the cloth pouch, making it a very mobile writing solution.

The piece I was working on was nothing earth-shattering, just notes for how I wanted to complete another writing project. Once I returned home, I began shooting scenes for a video, and thought nothing about the piece I was writing. Once the problems with the iPod's memory began to occur, before I could think more clear-headed I had deleted the iAWriter app and with it the piece I had written. No great loss, for in the process of writing it I had formulated most of the ideas in my head for that project. Sometimes writing for me serves as a way to simply organize one's thoughts, in the way that the slogan for Field Notes pocket notebooks is "I'm not writing it down to remember it later, I'm writing it down to remember it now."

But something I had done the night before became a clear direction forward in this writing adventure, which was that I had sat down, late at night, with the older iPad propped up on my knee and mechanical keyboard in my lap, and I had written an impromptu essay, which I immediately printed out to paper via my wireless, network-connected printer. The idea being that, in my experience, paper has served me as a much more reliable archive than has digital media, and using a digital system to ultimately create a printed-to-paper (using stable laser printing) document would be an interesting mashup of old and new methods.

What I only knew afterward was that what this system really begins to resemble is a wirelessly connected version of an electric typewriter. Without the additional iAWriter app, there is still the native Notes app, and also Pages, a built-in, full-featured word processing app. So there are writing solutions still available to me on the iPod, for when I don't want to carry the larger iPad. Type it up, connect to my wireless printer and get a laser-printed hardcopy.

I had decided, once I acquired the mechanical keyboard, to make the older iPad a dedicated writing tool, since I'm no longer using it for video editing, and it still has plenty of memory capacity for text files. Whereas the newer iPod Touch I'd use primarily as a video editing and still photo tool. After yesterday's experience, I'm going to have to stick with this plan going forward. The temptation is always to try and shoehorn as many additional apps as possible into these devices, to turn them into general-purpose tools, when in fact their limited memory capacity means, especially for memory-intensive applications like video, they have to remain dedicated to that single purpose.

Android Angst

Now, I do have a Dell Android tablet device, which up to now I haven't found entirely useful except as a web surfing platform. But it does have a decent screen size, and an expandable memory capacity via a micro-SD card slot, which I had yet to test. I spent a large portion of today working to get the Dell tablet into a usable video editing platform; and work it was indeed.

First I had to find a video editing app. Unlike iOS devices, Androids don't come with a default video editor. There are gazillions of them available for Android on their App Store, so it's hard to decide which one to choose, but I found one that had a decent review and a trial version for free, with a reasonable price for upgrading, if I so chose, to the full-featured version. Once it was installed and I familiarized myself with its basic features I shot some test footage on my Panasonic GH3, with the intention of testing the file transfer protocol, editing, finalizing and transfer process to an external micro-SD card.

With the raw footage shot on the GH3 I had to figure out how to transfer the footage to the tablet. The camera has a micro-USB-to-USB cable, while the Dell tablet takes a standard Android connector, whose cable also terminated to standard USB. So I figured all I had to do was find a female-to-female USB adapter and I'd be in business. Wrong.

After running around town and finally finding such an adapter, it turns out that the camera doesn't see the tablet at all, when the two are wired together. Great.

Then I remembered that the GH3 has WiFi connectivity, which I'd never used. After fiddling with it, the tablet would see the WiFi signal from the camera but couldn't transfer the files. So I went to the Android store and found, after two tries, a Panasonic app that talks to the GH3. With that installed on the tablet I was able to transfer the video files wirelessly. Which sounds sophisticated but isn't; I'd rather have it work via cables, because wireless means the transfer is slower, and it eats batteries faster in both camera and tablet.

So finally I got the files transferred to the internal memory of the Dell tablet, and off I went making the test movie using the new video editor. With the free version, I discovered I couldn't finalize in 1080P mode, and it also wouldn't see my micro-SD card. So I figured that, since I liked the editor well enough, it was worth purchasing, and perhaps the upgraded version would solve all those problems.

But the App Store wouldn't take my PayPal, no matter what I tried. I ended up having to figure out another way to complete the transaction, but finally I had the full-featured editor installed. And while it unlocked the full resolution feature, it still wouldn't see my micro-SD card.

The strange thing about this is that in the Dell's settings it sees the SD card and how much memory it has available, but none of the apps can access that card. After several more hours of fiddling around and reading discussion forums online about this problem with these Dell tablets, it turns out there was one type of file manager app for Android that might work, which I installed, and low and behold I could finally use it to transfer video clips and finished movies from the tablet's internal memory to the external card.

I tested this feature by first re-rendering the test project at full resulution, then transferred the finished test movie to the card, after which I deleted the original off the tablet's internal memory, along with the entire project from the video editor. So I had the raw camera footage on the internal memory, and the finished production on the external card. Then I started a new video project, and when I went to surf the library of video files to import to the timeline, there was the SD card and the finished test production. Success!

During these tests I also had the tablet connected via USB to my desktop PC, and I could see via Windows Explorer how the files were being moved between the tablet's internal memory and SD card, as an additional means of confirmation.

I started this project early in the afternoon, and got to this point of success by 9 PM. Only six hours of my life gone, but now - in theory, anyway - it looks like I now have an 8" Android video editing tablet that works with my Panasonic camera and can move files between its internal memory and an external micro-SD card. Which implies, in theory at least, that I shouldn't have memory capacity issues going forward. So tomorrow I intend on testing this out with a for-real video project, to be uploaded to YouTube (that feature has yet to be tested, however). We'll see how that goes.

All of this work to get these "simple" mobile devices to function for specific purposes like writing and video editing could have been avoided with the application of enough money to purchase some nice video editing-friendly laptop computer, like a Mac Book. But that's not how I roll. I'd prefer to keep my system as simple as possible, to get as much as I can out of the tools at hand, to find a way to do things in a bit more of a personally satisfying manner.

All of this system engineering has confirmed my suspicions, that in general the Apple iOS platform really is superior, in the sense of being well though-out and stable in performance but also, due to design philosophy on the part of the late Mr. Jobs, purposefully hobbled for doing more intensive, computer-like functions like freely moving files around and being able to expand its memory. Whereas Android is more like a Microsoft product in the sense that, while it gives you more freedom, it comes at the cost of being glitchy, unstable and not well thought-out as an integrated platform; you have to cobble together various applications to get it to do what you want.

I suspect this article is way too long, and boring, for most of my regular readership, since it doesn't involve, directly at least, typewriters or film photography. But it does serve to illustrate that these complex and imperfect systems can be configured to one's liking, if you are willing to expend the necessary effort to find creative ways to work around the intrinsic limitations.

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Wednesday, October 12, 2016

Afghan Box Camera Update

Paper Negative Selfie

Afghan Box Camera Testing

Post-Script: I was surprised how fast the fiber prints dried inside a little hot box aimed at the bright midday sun. Optimizing the efficiency of the drying box will certainly speed up the overall process.

For the exposures I was reflective metering my face, situated in bright shade, with the Harman paper rated at around ISO 6. Eventually I'm going to want to also use some reflectors to get better portrait lighting, but I don't want to be encumbered with excessive amounts of gear, since I foresee doing this alone, with no assistant to help. I think if I hold a collapsible reflector it should work fine; I couldn't do that today because I had the shutter release cable in one hand and a focusing target in the other,and I was the seated subject.

The way I managed these selfie tests was to use a second tripod where I would be seated, with a focusing target, attached to the front of the camera with a string stretched tight and taped to the tripod. Once I focused the camera on the target I removed the tripod and put my chair in its place. When seated in front of the camera, I would stretch the string tight and place the target adjacent to my eyes, then adjust my head position up, down and sideways relative to the front of the camera; then slowly lower the target and, without moving my head or blinking, click the shutter.

Were I making someone else's portrait I'd have a free hand to manage a reflector.

I mentioned some changes I want to make to the camera. If I dispense with the stop bath tray, I can move the developer tray back to the middle of the box, giving me more room up front, under the lens, for a bigger and easier to operate paper safe for direct positive paper. Another thing is that the film format size, being 4-5/8" by 3-3/4", was designed to fit the film plane mechanism, rather than the other way around. It would be nice to enlarge the format size a bit, ideally to 4"-by-6" so that framing and display of the prints would be easier on the clients. I'm not certain if I can enlarge the film plane mechanism and it's focusing rod system without totally rebuilding the box; which if I had to do, would be easier just to build a new box from scratch.

I've had a newer design sketched out for a while, with vertical processing slot tanks, a vertical slot paper safe and a layout with the camera part on top and the processing area below, with the arm sleeve in between; think of a box that looks something like the shape and size of a desktop PC chassis sitting on the short end and you get the idea.

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Tuesday, October 11, 2016

The Changing of the Guard

Hermes 3000


Post-Script: I like these kinds of simple pieces. They're conversational, like sharing to a larger audience just a little bit of how typewriters fit into one's day. Nothing fancy or presumed, merely about rotating one's typewriter usage. I wonder if Jay Leno does this, tweeting about taking some car from his collection out for an afternoon spin.

As a typewriter fanatic, I think it's important to type frequently, even if it's nothing profound or earth-shattering. Just get one's fingers on those keys, hear the snap of the type slugs hitting paper, hear the ding of that little bell at the end of the line, smell the machine oil exude from that shiny instrument of literary creativity. Keep in touch, even if it is just about swapping machines, or some other mundane part of one's life.

Others might think differently. They might ask of us why would we go to the trouble, especially with something so ordinary and relatively unimportant as this little one-pager sent off into the aether. I think it's most important to answer the question of "Why type?" by the simple response of "Because." Because I can, certainly. Because I have a selection of functional, beautiful machines to choose from. Because it's "Me-Powered." Because it's fun: we are far enough removed from the days of typists toiling away at their typewriters in the drudgery of the mid-20th century office environment that bringing one of these to life by the animation of our fingers somehow brings us to life, too.

I think typecasting makes blogging more satisfying. It's one thing to bang out a little nothing note to the world directly on one's computer, but quite another to do so with a scan of a paper artifact that reveals so much more than the mere words themselves. And it takes some effort, more so than hitting the "enter" key. So, to paraphrase that old Hallmark greeting card slogan, "When you care enough to send the very best, send them a typecast."

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Monday, October 10, 2016

Tools for the Toolbox

Royal Mercury

Today I want to discuss writing methods. By the term 'writing' I don't mean the art of putting words together, but instead the mechanics of how that's done.

Real writers, those who financially sustain themselves through writing or the teaching of writing, might dismiss this overt emphasis on the mechanics of the process (at the exclusion of creative content) as the dabbling of the amateur; more like street-level scribbling.

But to us street-scribblers, the mechanics of writing are all important, at least as a way of getting over the distractions that come from an ill-thought-out writing system, which is a prerequisite for good writing: get rid of all the encumbrances and roadblocks in the way of one's writing process and the rest will follow suit.

Real writers should have learned early on, as a matter of course in the development of their professional writing skills, the importance of finding and honing their personal kit of tools and methods that enable that creative flow. But for us street-level scribblers, we're always in school, and the streets are our daily lecture series, so we're constantly learning and refining.

The problem for us amateur scribblers is that it's all too easy to confuse the needs of our future writing skills with the necessary but much less important refinement needed to our physical toolkit; similar types of conundrums are evident in the world of photography, where the fledgling confuses the desire for a better camera or lens with what's really needed, that being refinement and development in one's technical and creative skills. So let this serve as reminder that however useful new toys might serve to help refine one's writing toolkit, they ain't gonna make you the next Great American (or insert your nationality of choice) Novelist. But you probably knew that already.

I must confess that I'm a gadget freak, like many males of my age; yet I also admit that I have yet to find an effective way to get over that fundamental blind spot in my personal development. It's probably an artifact of our culture, which sounds like a convenient excuse. Tools, toys, kit, gadgets - they're all fine, and relatively easy to acquire if one is of a sufficient middle-class lifestyle; but harder to acquire are the real skills required of a creative person. This means a protracted period of intense personal development; a lot harder than clicking on some button on Amazon and charging the expense to one's credit card. If only transforming one's mind were that easy.

I suspect this is a problem experienced by many people in our consumer-oriented culture, the expectation that real personal development can be acquired like some mass-marketed product. But ask anyone who's attempted such a personal journey and you'll soon find out that this is a matter common to our humanity throughout recorded history. Education, a true education, is most difficult to acquire, and takes a lifetime.

As to the matter at hand, the making of an effective writing system, this will differ for each individual. At one extreme, many people like the convenience of incorporating the entirety of their writing process, from first-draft brainstorming to the finished electronic document, contained within one system, the computer; and often that computer is a laptop, for reasons of convenience and portability. At the other extreme are people who prefer the hand-wrought crafting of words by pen, pencil or typewriter onto paper, only later to be developed into a finished electronic document. There are also many others whose personal writing system falls somewhere in between these two extremes, the choice often resulting more from personal circumstance and habit than any particularly specific philosophy or bent.

Such habits can be formed through a process akin to superstition, like the way that some sports athletes make preparation using a specific set of pre-game routines or articles of clothing; not because they actually believe there to be some supernatural connection between that particular method or object and the outcome of the game, but more like whatever seems to be working for them, they're not going to change it; keep as much as possible the same and perhaps success can be made more likely. Superstition, or a more effective psychological strategy? Hard to say; perhaps a little of both. Writers have been known to be a superstitious lot, frequently sticking to whatever works (like an obsolete word processor from the 1970s, or that old typewriter) because writing is hard and mysterious and why mess with what's working?

For myself, what has worked for me in the past - and by "worked for me" I mean been able to eliminate distractions and produce effective and creative writing, is both handwriting, either by means of mechanical pencil or fountain pen, and other methods like keyboarding into distraction-free text editors and also manual typing. Is this some magic formula? No; merely working out the application of past experience to future projects. I suspect the "magic" that comes from using these various successful writing methods is because of the confidence they inspire; the knowing that what worked for me in the past will again work for me in the future. It's more a trick of psychology, which is the realm within which all writers blocks originate. The mind is mysterious and unfathomable, its depths yet to be plumbed; especially the creative mind; which is why I consider the act of creativity to be the one essential test of true artificial intelligence.

But knowing that my past successes don't entirely hinge upon one specific set of tools or methods, perhaps I can find other methods that work equally well, or better. That is the approach I'm using with this recent endeavor of employing mechanical computer keyboards with iOS devices. There are many kinds of mobile electronic devices that can host writing applications, everything from Mac or PC to Android or iPad tablets. And bluetooth keyboards also seem to abound, though they lack that preferred mechanical feel. But knowing that some of my best writing experiences involve keyboards that exhibit a particularly satisfying mechanical feel (including both AlphaSmarts and manual typewriters), this new approach tries to synthesize the very best of that mechanical keyboard feel with the advantages of a modern and relatively error-free operating environment, like iOS.

Portability is also of essence to my preferred writing system, for I've found, over the years, that I'm not a static writer, but prefer a variety of places within which to write; hence whatever device I'm employing must be small and lightweight enough to be conveniently carried with me from place to place, even if those places are merely located in and around my neighborhood coffee shop or backyard shed. Over the years I've worked with a number of portable typewriters and, while they are effective tools for creative work, are not as convenient as a more portable device like keyboard and tablet; and are often less than welcome in an enclosed public space, due to their operating noise. For this reason, I've chosen a so-called "60%" sized mechanical keyboard, one that's about the same size as the keyboard of a mechanical typewriter, encompassing a mere 61 keys in total. The feel of this keyboard is every bit as good as, perhaps even better than, that of the AlphaSmart Neo - which is saying a lot; one reason being that, at the time of order, one can choose from a selection of six different Cherry MX keyswitches, thus the feel of the keyboard can be customized for one's personal liking. Mechanical keyboards, of the type I'm using, are now gaining popularity with a wider user base of writers, outside of their original gamer and programmer sub-cultures.

This is perhaps the fourth article I've written in recent weeks on this subject of mechanical keyboards employed along with electronic tablet devices. I've been typecasting - writing, scanning and posting mechanically typed prose to my blog - for almost a decade, which I don't foresee terminating any time in the future; but there is a convenience factor at work here with this new toolkit, the ability to, at a moment's notice, pick up iPad and mechanical keyboard, go somewhere, anywhere, and type out some thoughts, complete with spell checking and embedded HTML markup language, ready to be pasted to a blog template or elsewhere.

I recently went back into my archives of journal books in order to gain a deeper sense of my personal writing history, and what I found was that there's this huge gap, somewhere in the mid-aughts, after I'd supplanted hand-written journal books for various experimental and electronic writing systems, such as Palm-based portable devices and others, and before I'd begun typewriter journalling and blogging more consistently in the later aughts. I attribute this gap in my writing history not to a falling off of my writing activity but because these experimental systems simply hadn't worked out all that well as archiving systems. This mainly had to do with the way I'd managed (or mismanaged) backups to my computer system; but many of those writings are gone forever. It's clear that whatever writing methods one chooses, the stability and security of those documents is essential.

Contrast this with the fact that I have a sizable archive of paper-based writings which, although residing in the physical realm and therefore susceptible to the vagaries of both time and moth, seem to have weathered the digital storms just fine. I think what many of us tend to forget in this regard is that digital media are essentially physical in nature: there's some physical media within which the code resides, and that physical media- magnetic, optical or electronic - is often more fragile than the paper it was intended to replace.

I'm not suggesting that we go out with pitchforks in hand and burn down all the server farms; far from it. I think cloud-based backups, especially for relatively tidy files like text documents, are practical alternatives for us becoming our own IT specialists with home-based systems. But another practical backup alternative is to maintain paper documents. Having that irreplaceable story printed to paper has saved my bacon more than once. Yes, paper does take up room, and large boxes or notebooks of paper documents can be rather heavy. But so too is an article of furniture; I'd like to think of that physical archive of my essential work, printed to paper, to be like the furniture of the mind.

And so I'm suggesting that my mechanical keyboard + mobile iOS writing system will also be outputting a printed copy to paper; especially for writings such as personal journal entries, essays and stories, that are not immediately posted to the Internet, as would be the case with blog articles (which will be supported for perpetuity as long as the likes of Google remain viable businesses). Big Brother's IT department is well-suited for archiving my public writings, while my private work I think will be best backed up on paper. Had I done this back in the mid-aughts, I'd still have all of those personal journal entries.

I'll also continue to create works direct to paper via typewriter, pen or pencil. They're all essential, they all work for me, they each have unique attributes and purposes. But I find a good mechanical keyboard and writing app to be faster than hand writing and just as effective. Neither am I suggesting that I'm going to be abandoning typewriters any time soon. There are peculiarities to the experience of writing via a typewriter that are unique, and can spur uniquely creative results. Typewriters these days I don't see as effective tools for the final stages of editing a work into a finished piece, because word processors simply move text around so much easier. But for those early, creative phases of writing few things can match the typewriter for its ability to somehow pull out of the writer's guts the essence of what that piece will soon become. Hence the old saw about choosing the right tool for the right job. Luckily for me, I now have one more good tool in my writing toolbox.

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Tuesday, October 04, 2016

Pre-Typosphere Typewriter Collecting

KB Paradise V60 Mechanical Keyboard and Journal Book

While researching material for my latest "Agent 51" video, I came across a journal entry I'd written on October 28, 1998, the first entry in a new composition journal book. This had been written in mechanical pencil, and what I found worth sharing with you was that it included the subject of typewriters, and alluded to a revival of interest in manual typewriters as far back as 1998, well before the current era of blogging and what we have come to know as the Typosphere.

So, without further ado, here is the transcription of that article.


This opening entry in this, the second volume of my journal series, begins with me having purchased a manual typewriter.

I don't believe that I've ever seriously entertained any ambition of becoming a writer. The closest thing I've come to is when I was on a poety writing kick while in the Navy and afterward. Upon thinking about it, I recall that, because of the volume of work I produced, I gained a self-identity as "poet," which I reinforced by surrounding myself with creative people - artist types, if you will.

But to be a "real" writer - a composer of "prose" - I have never identified with. And not to take anything away from these pages, but this journal is definitely not aimed toward public consumption, although some of my thoughts in the previous journal concerning video, film and photographic images constitutes a good framework around which writings for public consumption could be built upon, or perhaps worked into the upcoming seminar.

(Note: the seminar mentioned was an upcoming Basement Films presentation I made on low-budget analog video production techniques. - Joe)

So, why the typewriter? Well, for starters, I used to have an old Royal manual, built like a tank, but I think I gave it away a few years ago, before I got married, maybe around the time that I bought the electric Smith-Corona. My friend Worden has used manuals for years, and recently picked up a mint little portable, light blue with a carrying case.

(Note: Worden passed away a few years ago, but he self-published many small books of stories and poems on portable manual typers. That blue machine of his I only later realized was perhaps nearly identical to my Brother-made Webster XL-747, also blue and with a carrying case; further reason why I value it so much. - Joe)

So I have a computer with the latest Microsoft Word and Word Perfect word processors; I have access at work to similar software. So why the manual typewriter? Well, I've always appreciated the look of manually typed print. Each letter has a unique imprint, and the pressure that the fingers give to each key modulates the quality of the typed character in a direct, analogous fashion. You can tell when a computer typist is trying to touch-type on a manual, for the letters which are on the far left and right ends of the keyboard, struck by the weakest ring and little fingers, show up on paper as noticeably lighter in tone.

Last week I roamed around town, and visited several typewriter places. The one on Menaul
(John Lewis's shop - Joe) had an interesting museum, including old calculating, tabulating and other office equipment, as well as an abacus collection.

I engaged into an interesting discussion with the proprietor, and we covered an interesting gamut of things. He finally showed me an Adler manual typewriter, not quite as compact as the Hermes Rocket but, according to him, built to last a long, long time. It was built in "Western Germany," and supposedly has a high grade of corrosion-resistant steel in the mechanism. He knocked off 35 dollars, but I threw in for trade an old adding machine which he dated at before 1925. The end result is a nice, durable, well-built typewriter, which should last for a long, long time (I hope).

He asked me if I had planned to write a book, as many UNM-types come in and look for old Smith-Coronas that resemble the one that Hemingway used. Kind of like photographers who buy Leicas because they hope that they will immediately become more like Cartier-Bresson or Winogrand.

I never thought that a typewriter could actually influence one's writing style until I noticed that in order to type successfully on a manual you have to jab at the keys. The requirement of the fingers is not an increased strength, just a quick jab or punch at each key. It's the speed of the jab, not the pressure of the finger against the key. My thought is that perhaps the quick-jab style of typing could change the tone of the writer's voice from mellow word processor-smooth-clicky-clack into an aggressive, angry street-smart voice, matter-of-fact and no-nonsense, a kind of sparring session with the machine, the result imprinted upon paper, artifacts left behind from the interaction of human mechanics with antiquated technology. As the finished image is affected by the uniqueness of the lens in use, so is the typewriter able to focus the writer's thought in a peculiar way.

Did you catch those hints? Keep in mind that this was in 1998, before Facebook, Twitter or YouTube; when AOL was the dominant Internet provider and laptop computers were bulky devices. And it was certainly before the time that we commonly recognize as the revival of interest in the manual typewriter, before the Typosphere was formally identified. Yet there it is, John Lewis the typewriter repairman telling me that, even back then, university students were interested in those machines as writing tools.

Notice too that I've already gained some understanding of how a person should interact with a typewriter, that it's more about the speed of one's fingers than the pressure applied to the keys. I was certainly a neophyte at that time, but yet I had some understanding.

There is this mysterious reference in the piece to a comparison between the Adler and a Hermes Rocket. I didn't think, until I read this today, that I even knew of the existence of Hermes Rockets. Had I been suddenly educated that day by my visit to John Lewis, already had some subtle yearning for those little portable machines? Perhaps; only a few years later I'd return to his shop and trade in the Adler for a Royal Mercury portable, which I have to this day.

I am also amused by the idea that in 1998 someone like me was roaming around town on the lookout for typewriters; the more things change, the more they stay the same, even then the typewriter bug had already bitten hard, apparently.

For me, this journal entry is a bit of personal history unearthed; but for you out there in the Typosphere this might serve as some source material for the prehistory of the typewriter revival that was yet to come. I'd like to hear from others of you, if you have any personal anecdote or story pertaining to your pre-Typospherian interaction with typewriters.

Post-Script: Transcribed via KB Paradise V60 mechanical keyboard into iPad 2 with iAWriter. Wow, was this fun to type. Very AlphaSmart-like. But with a much bigger screen - a touch screen. No, it's not a "real" typewriter (and I apologize to those of you who might have been put off by the last two blog articles that have been overly enthusiastic about mechanical computer keyboards and tablet devices), but a very pleasant, focused writing experience.

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