Wednesday, May 06, 2020

Vignettes

Silent-Super on Holiday (Case)
Vignettes

With the Silent-Super attached to the lower half of the holiday case but the top half removed using its quick-disconnect feature, it sat comfortably in my lap for some relaxing springtime afternoon meditative typing onto Southworth linen paper. Normally this would be a task ideally suited for an ultra-portable, but I like the elite typeface of this machine, and its richly dark imprint.

It was recently pointed out to me that the backspace key, although being virtually the same color, isn't the same shape as the others. It must have been replaced at some time in the past, probably by a typewriter shop. Which implies that it's gone through two rough periods during its existence, followed by some restoration. A broken or missing key cap is a sign of some rough use, and I'm certain the shop, whomever it was, wouldn't have returned it to its owner without being fully serviced.

When I acquired it just a few years ago it was again in poor shape, extremely dirty and exuding a foul odor. It took me months to clean, degrease and adjust to good working order, during which time I spent countless hours typing stream-of-consciousness drivel, in an attempt to suss out an intermittent skipping problem. Not only did that process result in the problem being resolved, but it taught me the power of the typewriter to draw out from me inner thoughts that would otherwise remain hidden.

I learned to love the elite typeface with its efficient use of space on a half-sized sheet of paper.

Subsequent to the work I put into it, I sent off the platen, feed rollers and paper bale rollers to JJ Short & Sons, to be covered in fresh rubber. The result is like a virtual time machine, like I've travelled back to 1957, the year of my birth -- and this machine's, too.

These semi-portables sport sufficient features to function as an office machine, yet are small and light enough to lug around, should the need arise. No, they're not as nimble as an ultra-portable, but they perform better in most respects. Were I to downsize further my collection this, and an ultra-portable like the Hermes Rocket or Royal Mercury, could serve admirably as a collection of two.

Every time I sit down and rest my fingers on its keys I'm reminded of the power of rehabilitation, of second (and sometimes third) chances. Don't ever think for a minute that there's no hope. Just plug away and keep doing the work.

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Monday, May 06, 2019

Maquina de Escribir Gigante

Olympia SG-3
Maquina de Escribir Gigante, Part 1
Porch Typing
Maquina de Escribir Gigante, Part 2

Post-Script: The SG-3 is not supposed to be "portable," so when you do carry it, do so with the carriage close to your torso, since that's the heaviest part. Alternately, you could remove the carriage and move the machine in two halves, but that gets a bit fiddly.

This phenomenon I spoke of in this piece is very real, and immediately noticeable, with these large machines. You (at least, I) really do notice it as soon as you begin typing, how your concentration is focused on the work at hand. It helps that the machine is such a great typer, the action is smooth and, at least on this particular example, the type alignment is darned near perfect.

Which get us to the wonky photos of the typed piece, done using the panorama mode on my iPhone, handheld. It looks like the lines aren't straight, but in fact they are. To do this better, you may need some kind of slider to hold the phone absolutely at the proper angle to the work, and move it with mechanical precision.

The irony of last night's typing session with Kevin is that he was documenting, with his Underwood 6, our mutual collections of ultra-portable machines.

I have another video and blog article to do this week, about my recently acquired Brother EP-43 thermal typewriter. Yes, this makes three such machines. Are they in fact "ultra-portable" typewriters too? Yes, for certain. But that's the subject for another day.

I'm starting to gravitate to the conclusion (at least for now, as I hold the right to change my mind at any time) that a combination of thermal typewriter for out-and-about typing, and a full-sized standard for fixed office/studio writing, is a great mix. What do you think?

Here's a night shot of Kevin at his Underwood.

Kevin and his Underwood 6

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