It's a Done Deal

Post-Script: I did the final typing of the story on Adobe Rose, the Royal QDL, seen above. Though it had a partly used silk ribbon, I ended up swapping out the ribbon mid-story for the fresh ribbon Bill Wahl had installed in my Hermes Rocket. Also, the type alignment of the Royal isn't perfect, though it hasn't bothered me in the past; but for some reason I felt self-conscious about it, thinking the imprint needs to be as "professional" as possible. And then I was reminded by John Lewis, my local typewriter repairman, whom I visited this morning, that it's a manual typewriter after all - it's not supposed to look perfect! I like John's fresh perspective on things.

I suppose if I knew for certain that the story was top-notch, I'd be less worried about the aesthetics of its typewritten appearance. Oh well.

Today I placed a visit to Rust is Gold Coffee, to touch base and remind them that our ABQwerty Type Writer Society will be meeting there this coming Sunday, at 12:00 noon. I brought my Triumph Norm 6, upon which to type a few notes, and they loved the machine, especially considering they are a motorcycle-themed coffee shop, and there's a connection between the German Triumph typewriter firm and the British Triumph auto/motorcycle company. I permitted Sara to take some photos of the machine, for use in marketing their coffee shop. She's the gal I'd sold one of my Royal Mercury machines to, and I'm happy to announce that she's been doing lots of typing on it, even taking up virtually permanent space on her kitchen table. She loves typing on it, says there's something about a manual typewriter that brings out the creativity in her. I'm pleased that she's finding good use for the machine.

This typecast was done via iPhone 6s, instead of my flatbed scanner. I've used an iPod Touch previously, usually while on vacation, away from my scanner, and the results have been marginal. But I like what the iPhone produces, at least under my bright video table lights. Gives me less reason to rely on the scanner.

I'd used a backing sheet of paper while typing this piece in the Olivetti Underwood 21, and I noticed afterward that I could see the imprint rather distinctly in the backing sheet. So I took a no.2 pencil and did a rubbing, to reveal the imprint thusly:



I've boosted the contrast of the image a bit, but in person the rubbing is very readable, which gives me pause to consider that, in the event typewriter ribbons become scarce in the future, a charcoal rubbing might suffice. Not exactly steganography, since you can easily see the imprint with adequate side-lighting, but an interesting effect. I need to try this again with just one sheet of paper in the stencil mode, and rub with a real charcoal pencil.

I was reminded yesterday that I'm now in two cassette tape letter exchanges. I need to remember to bring a recorder with me when running errands, so as to take advantage of location sounds that make such taped letters so much more interesting.

With the help of one of my YouTube viewers I've found a solution to the problem of why I couldn't post comments to blogs hosted on Blogger, on my Mac computer. The reason had to do with a setting in Safari browser dealing with cross-site tracking. Yesterday I did a typewriter blog comment blitz, catching up on many blogs I've wanted to comment but couldn't.

Earlier in this post I mentioned placing a visit to John Lewis's shop. He has a pristine, fully restored Underwood No.5 for sale. The black paint shines, all the decals are virtually new, the nickel/chrome trim is immaculate, the key top legends are fully redone - and the platen is freshly recovered. I took it for a test typing, and boy was I impressed, I can truly touch-type on it with ease, and the spacing of the keys is ideal for my hands. If it sounds like I'd like to buy it, you're correct. But he's asking a pretty penny for it, considering all the work he's put into it, and that it's been professionally restored. Still, what a temptation. One obstacle for me is where to put it, since, unlike portables, these don't have cases. I'd have to find a permanent writing location. Or, like I've done with my Burroughs Comptometer, that's too large to store permanently on my desk, I found a high-quality plastic box with a gasket-sealed lid. I lined the box with foam rubber, secured the calculating machine in a plastic bag and secured it inside the dust-proof box via the gasket-sealed lid, so it can be stored in less than ideal conditions when not in use. I'd have to find a similar solution for the Underwood, were I to acquire it. There's also the little matter of explaining all this to my better half. But, at least she's been bitten by the typewriter bug, with her claiming ownership of the Olympia SM3, so perhaps there's less convincing needed than I think. Do I really need another typewriter? No. Do I need this Underwood 5? Yes!

PPS: Be sure to check out this typewriter-themed blog, Madam Mayo. There's a link to her older blog that goes all the way back to 2006. Nice to find more typewriter bloggers.

Cold Hard Typing

Post-Script:



I've been enjoying this collection of jazz tapes. The Panasonic player is monaural, but has a pretty good tonal range. It's especially handy sitting table side; next to my writing area, where I can stop it easily enough before leaving the room. My Sanyo cassette deck with the Lafayette receiver and Polk speakers are in the garage, not where I want to sit while writing in the wintertime. The garage is also too cold for the Sanyo's health, which I should bring inside the warmer house during the winter months. The garage gets 45f in the winter, not too bad, but enough to cause the old deck some grief. That garage stereo system was intended to be there for the warmer months, and I don't really want a loud system in my office, since it adjoins the bedrooms and I have a tendency to be up late at nights on my off days. So the little Panasonic player is about ideal for my office cassette music needs.

About that top photo, you can see in the upper left corner a Japanese soroban abacus, another addition to my collection. I need to make a video about it soon. Maybe also review my entire collection.

Regarding Richard Polt's Cold Hard Type project, see this link.

If you're interested in my collection of Loser's Blend short stories, see this link.

Here's the website for Rust is Gold Coffee Shop, here in ABQ.

More about my coffee shop typing and the Cold Hard Type project in this video:

How You Doing Now?

Post-Script: I haven't thought much about how to "archive" these typings in my 3-ring binders until now. The width of the paper is too narrow to span two holes of a binder punch. I think I'll just cut some strips of thicker 11" tall paper, maybe several inches wide, then 3-hole punch that strip and tape the top of the thermal paper to the strip, sideways, and fanfold the thermal paper to fit inside the binder.

I use the term "archive" in quotes because of course thermal paper printing isn't archival. But if stored in a cool climate, it can last for years. My expected usage of this kind of printing is first-draft, to later be edited and worked into some more permanent medium; or journal entries; or just idle thoughts or notes that don't deserve permanence. The stuff that's important can of course be scanned into PDFs and archived digitally. And everything I put on this blog, image-wise, is also on Flickr - but we'll just ignore the question of how permanent online media corporations are in this era. I've a paid membership to Flickr, so all my images are, thus far, preserved from whatever upheaval is currently underway, as one company gets bought out by another. As long as I continue to pay my annual fee, that is.

I know some people have advised me to just host my own server and store my own images that way. But however you spin it, you've gotta pay somebody for some kind of service. The people who are currently complaining about the changes at Flickr mostly have been riding for free. You don't get something for nothing.

Okay, I've also got a video up today for The Tape Project series, comparing two "shoe box"-sized compact cassette recorders, a Radio Shack against a Panasonic. I expected the Panasonic to be the clear winner, but some surprises were found.



This week I also made a more permanent intro clip for my videos, that's in 4K, which in iMovie causes the rest of the video to be rendered also in 4K, even if the rest of the clips are only 1080P; which in turn improves playback quality once uploaded to You Tube. I also made an intro clip for the Tape Project.

Typosphere Care Package

The Underwood atop the typing platform on my workbench.


Ko-Rec-Type pack, Olympus Pearlcorder, headphones and cigar accoutrements. Had the garage door open to air it out while smoking. And a fan blowing.


I missed my opportunity to get a free gift from 1988!


This must be where all the letters go that you type, when they don't show up on the screen!


Only a bit of residue from the Ko-Rec-Type. Mostly blows off with a can of compressed air. It goes down more reliably than those rolls of correction tape.


Some results from today's Afghan box camera testing, along with typewritten notes.

I'm thinking about an americanized name for these devices, other than "Afghan box camera", or "camera minutera". I kind of like "wet box camera".




I considering getting a set of small bookshelf speakers for the garage, but had a good time today with Ted's tapes just wearing headphones. And I can blast it without bothering the neighbors, or my wife!

Thank you Ted for the care package. Now I'll have to get busy, acquire an analog video capture device and get you some footage of those experimental videos from the late '90s - early aughts. And maybe even an episode of "The Joe Show" from the late 1980s.

It's a Tape Series!

The Tape Project as it stands today:

On Tape:


On a Piece of Ground:


The Tape Project - Episode 2:

Typecast via Adobe Rose.