One Atop the Other

That "4" keycap on the Torpedo is the only remaining missing cap that's temporarily been replaced with one from a different machine. I intend on carving myself a replica keycap from poplar wood, sanded and finished to be as close as possible to the other original keycaps.

Sunday we had our December meeting of the ABQwerty Type Writer Society. I recently acquired a 12-pack of red/black nylon ribbons, in the DIN size without grommets, for $9.99 from Amazon. They've been nicely dark, well inked. I think a real value in ribbons, I highly recommend them. Here's my review of them:



Today, Andrea and I rode the recently opened ART bus (Albuquerque Rapid Transit) from Nob Hill, through downtown, to the west side and back. This has been a project that's been several years and tens of millions of dollars in the making, that runs on Central Avenue, the old Route 66, from Tramway Blvd on the east to Coors on the west, while also making a stop in the uptown area, the closest it comes to our suburb. Much controversy and economic upheaval has accompanied the project, including torn up streets and many small businesses along Central that have shut down or moved. Small businesses are a fragile economy, which the city didn't seem to appreciate during the construction phase.

From now until the end of the year the city is offering free rides. We boarded in Nob Hill near Kelly's Brewery and rode west to Coors, then hopped onboard a return bus and stopped downtown, where we walked around and I recorded video and still photos. Then we caught another eastbound bus and ended back in Nob Hill, where we ate lunch at a tacoria, where it was two dollar Tuesday. It was rather ironic having to drive our private vehicle across town so we could then ride the bus.

The busses were originally intended to be electric, battery-powered, but the city had issues with the electric busses not meeting contract requirements around battery range and recharging time; plus, they were very expensive. They also didn't want to spend even more money on electric light rail lines. So they finally reverted to propane-powered, two-section, 60-foot long busses. They are modern and new inside. I hope they stay that way. Once the city starts charging for rides, an all-day pass will be around $2. I'm thinking it might be fun to drive down to the rather close Uptown area and pick up the ART bus for a day of coffee shop typewriting and street photography downtown.

Here's the video of today's ride:

It's a Done Deal

Post-Script: I did the final typing of the story on Adobe Rose, the Royal QDL, seen above. Though it had a partly used silk ribbon, I ended up swapping out the ribbon mid-story for the fresh ribbon Bill Wahl had installed in my Hermes Rocket. Also, the type alignment of the Royal isn't perfect, though it hasn't bothered me in the past; but for some reason I felt self-conscious about it, thinking the imprint needs to be as "professional" as possible. And then I was reminded by John Lewis, my local typewriter repairman, whom I visited this morning, that it's a manual typewriter after all - it's not supposed to look perfect! I like John's fresh perspective on things.

I suppose if I knew for certain that the story was top-notch, I'd be less worried about the aesthetics of its typewritten appearance. Oh well.

Today I placed a visit to Rust is Gold Coffee, to touch base and remind them that our ABQwerty Type Writer Society will be meeting there this coming Sunday, at 12:00 noon. I brought my Triumph Norm 6, upon which to type a few notes, and they loved the machine, especially considering they are a motorcycle-themed coffee shop, and there's a connection between the German Triumph typewriter firm and the British Triumph auto/motorcycle company. I permitted Sara to take some photos of the machine, for use in marketing their coffee shop. She's the gal I'd sold one of my Royal Mercury machines to, and I'm happy to announce that she's been doing lots of typing on it, even taking up virtually permanent space on her kitchen table. She loves typing on it, says there's something about a manual typewriter that brings out the creativity in her. I'm pleased that she's finding good use for the machine.

This typecast was done via iPhone 6s, instead of my flatbed scanner. I've used an iPod Touch previously, usually while on vacation, away from my scanner, and the results have been marginal. But I like what the iPhone produces, at least under my bright video table lights. Gives me less reason to rely on the scanner.

I'd used a backing sheet of paper while typing this piece in the Olivetti Underwood 21, and I noticed afterward that I could see the imprint rather distinctly in the backing sheet. So I took a no.2 pencil and did a rubbing, to reveal the imprint thusly:



I've boosted the contrast of the image a bit, but in person the rubbing is very readable, which gives me pause to consider that, in the event typewriter ribbons become scarce in the future, a charcoal rubbing might suffice. Not exactly steganography, since you can easily see the imprint with adequate side-lighting, but an interesting effect. I need to try this again with just one sheet of paper in the stencil mode, and rub with a real charcoal pencil.

I was reminded yesterday that I'm now in two cassette tape letter exchanges. I need to remember to bring a recorder with me when running errands, so as to take advantage of location sounds that make such taped letters so much more interesting.

With the help of one of my YouTube viewers I've found a solution to the problem of why I couldn't post comments to blogs hosted on Blogger, on my Mac computer. The reason had to do with a setting in Safari browser dealing with cross-site tracking. Yesterday I did a typewriter blog comment blitz, catching up on many blogs I've wanted to comment but couldn't.

Earlier in this post I mentioned placing a visit to John Lewis's shop. He has a pristine, fully restored Underwood No.5 for sale. The black paint shines, all the decals are virtually new, the nickel/chrome trim is immaculate, the key top legends are fully redone - and the platen is freshly recovered. I took it for a test typing, and boy was I impressed, I can truly touch-type on it with ease, and the spacing of the keys is ideal for my hands. If it sounds like I'd like to buy it, you're correct. But he's asking a pretty penny for it, considering all the work he's put into it, and that it's been professionally restored. Still, what a temptation. One obstacle for me is where to put it, since, unlike portables, these don't have cases. I'd have to find a permanent writing location. Or, like I've done with my Burroughs Comptometer, that's too large to store permanently on my desk, I found a high-quality plastic box with a gasket-sealed lid. I lined the box with foam rubber, secured the calculating machine in a plastic bag and secured it inside the dust-proof box via the gasket-sealed lid, so it can be stored in less than ideal conditions when not in use. I'd have to find a similar solution for the Underwood, were I to acquire it. There's also the little matter of explaining all this to my better half. But, at least she's been bitten by the typewriter bug, with her claiming ownership of the Olympia SM3, so perhaps there's less convincing needed than I think. Do I really need another typewriter? No. Do I need this Underwood 5? Yes!

PPS: Be sure to check out this typewriter-themed blog, Madam Mayo. There's a link to her older blog that goes all the way back to 2006. Nice to find more typewriter bloggers.

Sporting Silk

Post-Script: Of course, I haven't tried every ribbon supplier out there, so there's more exploration to do. One of my YouTube viewers suggested an Etsy supplier of cotton ribbons, which I'll have to try out and review. Another suggested FJA Products, another good supplier.

Blog articles like this one aren't spectacularly informative, but they do represent the ongoing lifestyle of a typewriter aficionado, living with these machines, taking them to the cigar store lounge to write a blog article about taking a typewriter to the cigar store lounge. Self-referential, yes; but I think it's an important aspect of typewriter culture, documenting how we live with, and use, these mechanical wonders, mundane as that might seem.

On a technical note, I like to fold this green engineering paper in half when typing a narrow column for this blog, especially with the Rocket's 13 CPI typeface. So the left edge is creased and the right is open, when threaded through the platen rollers. But the right side must have fed faster than the left, because in the scan you can see the lines of text start out at the top slanted toward the left and end up slanted toward the right at the bottom of the page. Probably some subtle pressure roller issue in the carriage, but nothing that's going to keep me up at night. I should be just left the paper unfolded and used a backing sheet.

In the resulting video, linked below, I have some wonky audio issues, caused partly by a weak battery in my dynamic mic's preamp, which spoiled the video's overall quality, since audio is so important of an aspect to video. I tried to even out the clips' levels, but it's still rather awful. I need to take better care next time.

I have a number of video projects needing to be made, but my time these days has been occupied with edits and rewrites for my Cold Hard Type short story project. I've also been holding off on another typing assignment until the deadline has passed, because I know a number of participants to the series that are also in the midst of writing their Cold Hard Type stories.

Last night I spent hours typing changes to the story on my Royal QDL, while today I once again broke out the Olympia SM3 to type a neat copy incorporating all the changes thus far. While the Royal is a darned good machine, the SM3 is yet a cut above.

I hope to get one more video done this week. Wish me luck, and that the quality will be up to par.

Stranger Than Fiction?

Post-Script: We finally had Internet service restored before dark. Once returning from the cigar store, I spent the afternoon and into the early evening typing up a third draft of my story, in the final formatting required (4"x7" text area), using the Facit 1620. Being as it's a pica typeface, those lines were pretty short, only 40 characters wide, which meant either a lot of empty space on the right side of each line, or excessive hyphens to break up longer words. I chose mainly to leave spaces, but also changed some of the wording from the 2nd draft, so as to fit words more exactly on each line.

To make the process a bit easier while still adhering to the required borders, I drew up a 4"x7" rectangle in bold ink, centered on my backing sheet of paper, to use as a typing guide. It was easy enough to see through my typing paper, which wasn't all that heavy in weight, making the typing process manageable. I'd seriously recommend this method to anyone working on their story for Cold Hard Type.

I also thought about reverting to an elite font machine, but I do like the clearer imprint of pica. My wife reminded me that I'd have the same problem of breaking up words at the right margin, regardless of typeface size.

This exercise also reminded me how nice it is to read a book with justified text. Perhaps someone out there is writing their story on an IBM Wheelwriter 2000?

Despite the challenge of fitting neat, readable type within such narrow confines, while keeping one's story intact, I do understand the needs of the printing process, since the pages need to appear uniform once in book form.

And now it's snowing outside, with a promised blizzard hitting the area. I guess I'll stay indoors and do more typing. Hopefully the Internet stays up.

Cold Hard Typing

Post-Script:



I've been enjoying this collection of jazz tapes. The Panasonic player is monaural, but has a pretty good tonal range. It's especially handy sitting table side; next to my writing area, where I can stop it easily enough before leaving the room. My Sanyo cassette deck with the Lafayette receiver and Polk speakers are in the garage, not where I want to sit while writing in the wintertime. The garage is also too cold for the Sanyo's health, which I should bring inside the warmer house during the winter months. The garage gets 45f in the winter, not too bad, but enough to cause the old deck some grief. That garage stereo system was intended to be there for the warmer months, and I don't really want a loud system in my office, since it adjoins the bedrooms and I have a tendency to be up late at nights on my off days. So the little Panasonic player is about ideal for my office cassette music needs.

About that top photo, you can see in the upper left corner a Japanese soroban abacus, another addition to my collection. I need to make a video about it soon. Maybe also review my entire collection.

Regarding Richard Polt's Cold Hard Type project, see this link.

If you're interested in my collection of Loser's Blend short stories, see this link.

Here's the website for Rust is Gold Coffee Shop, here in ABQ.

More about my coffee shop typing and the Cold Hard Type project in this video: