It's a Done Deal

Post-Script: I did the final typing of the story on Adobe Rose, the Royal QDL, seen above. Though it had a partly used silk ribbon, I ended up swapping out the ribbon mid-story for the fresh ribbon Bill Wahl had installed in my Hermes Rocket. Also, the type alignment of the Royal isn't perfect, though it hasn't bothered me in the past; but for some reason I felt self-conscious about it, thinking the imprint needs to be as "professional" as possible. And then I was reminded by John Lewis, my local typewriter repairman, whom I visited this morning, that it's a manual typewriter after all - it's not supposed to look perfect! I like John's fresh perspective on things.

I suppose if I knew for certain that the story was top-notch, I'd be less worried about the aesthetics of its typewritten appearance. Oh well.

Today I placed a visit to Rust is Gold Coffee, to touch base and remind them that our ABQwerty Type Writer Society will be meeting there this coming Sunday, at 12:00 noon. I brought my Triumph Norm 6, upon which to type a few notes, and they loved the machine, especially considering they are a motorcycle-themed coffee shop, and there's a connection between the German Triumph typewriter firm and the British Triumph auto/motorcycle company. I permitted Sara to take some photos of the machine, for use in marketing their coffee shop. She's the gal I'd sold one of my Royal Mercury machines to, and I'm happy to announce that she's been doing lots of typing on it, even taking up virtually permanent space on her kitchen table. She loves typing on it, says there's something about a manual typewriter that brings out the creativity in her. I'm pleased that she's finding good use for the machine.

This typecast was done via iPhone 6s, instead of my flatbed scanner. I've used an iPod Touch previously, usually while on vacation, away from my scanner, and the results have been marginal. But I like what the iPhone produces, at least under my bright video table lights. Gives me less reason to rely on the scanner.

I'd used a backing sheet of paper while typing this piece in the Olivetti Underwood 21, and I noticed afterward that I could see the imprint rather distinctly in the backing sheet. So I took a no.2 pencil and did a rubbing, to reveal the imprint thusly:



I've boosted the contrast of the image a bit, but in person the rubbing is very readable, which gives me pause to consider that, in the event typewriter ribbons become scarce in the future, a charcoal rubbing might suffice. Not exactly steganography, since you can easily see the imprint with adequate side-lighting, but an interesting effect. I need to try this again with just one sheet of paper in the stencil mode, and rub with a real charcoal pencil.

I was reminded yesterday that I'm now in two cassette tape letter exchanges. I need to remember to bring a recorder with me when running errands, so as to take advantage of location sounds that make such taped letters so much more interesting.

With the help of one of my YouTube viewers I've found a solution to the problem of why I couldn't post comments to blogs hosted on Blogger, on my Mac computer. The reason had to do with a setting in Safari browser dealing with cross-site tracking. Yesterday I did a typewriter blog comment blitz, catching up on many blogs I've wanted to comment but couldn't.

Earlier in this post I mentioned placing a visit to John Lewis's shop. He has a pristine, fully restored Underwood No.5 for sale. The black paint shines, all the decals are virtually new, the nickel/chrome trim is immaculate, the key top legends are fully redone - and the platen is freshly recovered. I took it for a test typing, and boy was I impressed, I can truly touch-type on it with ease, and the spacing of the keys is ideal for my hands. If it sounds like I'd like to buy it, you're correct. But he's asking a pretty penny for it, considering all the work he's put into it, and that it's been professionally restored. Still, what a temptation. One obstacle for me is where to put it, since, unlike portables, these don't have cases. I'd have to find a permanent writing location. Or, like I've done with my Burroughs Comptometer, that's too large to store permanently on my desk, I found a high-quality plastic box with a gasket-sealed lid. I lined the box with foam rubber, secured the calculating machine in a plastic bag and secured it inside the dust-proof box via the gasket-sealed lid, so it can be stored in less than ideal conditions when not in use. I'd have to find a similar solution for the Underwood, were I to acquire it. There's also the little matter of explaining all this to my better half. But, at least she's been bitten by the typewriter bug, with her claiming ownership of the Olympia SM3, so perhaps there's less convincing needed than I think. Do I really need another typewriter? No. Do I need this Underwood 5? Yes!

PPS: Be sure to check out this typewriter-themed blog, Madam Mayo. There's a link to her older blog that goes all the way back to 2006. Nice to find more typewriter bloggers.

ABQwerty Type Writer Society Kick-Off

Post-Script: Here's a shot made several weeks ago of the vintage guitar and hi-fi shop next to Rust is Gold Coffee, part of the Albuquerque Arts Collective, who hosted our meeting:



Settling in this evening as the video was uploading, I began perusing the leftover typed sheets that I usually collect from these meetings, and was pleased to find this spontaneous poem:



I assume it was written by Sandra, the lady sitting across the table from me, as I was conversing with the school teacher who acquired one of my machines for his classroom (the Smith-Corona Silent), since it contains references to our conversation. He teaches middle school computer classes, and in our conversation I was trying to make a connection between the broader concept of "mechanical logic" as it applies to manual typewriter mechanisms and the specifics of software-programmed logic. I was, as an example, explaining that each typewriter character key has two "functions" - upper or lower case; or the line spacing selector is an example of 3-state logic. In general, I was using creative analogies to help describe the typewriter as an example of a logical mechanical device, predating electronic programmable computers; an approach he might find useful in his computer classes. I'd like his students to see the typewriter as more than mere historic lineage predating the computer, but a device that exhibits its own sense of pre-wired "logic".

Further down in the poem we see references to my advice on how Sandra could clean her Olympia SM4. I'm going to keep this poem and return it to her at the next meeting. I love spontaneous creativity, since this is one of the primary goals of our society. Well done Sandra!



Typecast via Remington Quiet-Riter.

Grab-&-Go Typing

Post-Script: This search for the ideal meeting venue is not unique to our fledgling typewriter society. Kevin belongs to a British car club and they, too, struggle with finding the right place for their meetings. I'd like to keep our society dues-free as much as possible, so paying for a meeting place is not the way I want to go. Hopefully our current choice, at Rust is Gold, will be workable for us.



I posted a short video today about the value of books, in particular as they relate to my various arcane interests, and how purchasing used copies of out-of-print editions can be a satisfying way to retain access to these invaluable sources, that are often removed from libraries once they become too worn. I've recently made online purchases of several such special-interest books:

Games Calculators Play, by Wallace Judd

The History of the Abacus, by J.M. Pullan

Narrowcast: Poetry and Audio Research, by Lytle Shaw

Love is Meat, by David W. Pedersen

At the cigar store this week I had a great conversation with a pipe smoker who happened to share an interest in pens, especially fountain pens and mechanical pencils. We had a great time, and it reminded me of the need to take some pens and notebooks with me, to share my interests with fellow aficionados.

Finally, I'd like to mention once again the blog of Austin Kleon. If you are a creative in need of recharging, you need to visit his blog every day. And be sure to follow the many resource links he provides, as you'll soon find yourself falling down the rabbit hole of creative exploration.

Cold Hard Typing

Post-Script:



I've been enjoying this collection of jazz tapes. The Panasonic player is monaural, but has a pretty good tonal range. It's especially handy sitting table side; next to my writing area, where I can stop it easily enough before leaving the room. My Sanyo cassette deck with the Lafayette receiver and Polk speakers are in the garage, not where I want to sit while writing in the wintertime. The garage is also too cold for the Sanyo's health, which I should bring inside the warmer house during the winter months. The garage gets 45f in the winter, not too bad, but enough to cause the old deck some grief. That garage stereo system was intended to be there for the warmer months, and I don't really want a loud system in my office, since it adjoins the bedrooms and I have a tendency to be up late at nights on my off days. So the little Panasonic player is about ideal for my office cassette music needs.

About that top photo, you can see in the upper left corner a Japanese soroban abacus, another addition to my collection. I need to make a video about it soon. Maybe also review my entire collection.

Regarding Richard Polt's Cold Hard Type project, see this link.

If you're interested in my collection of Loser's Blend short stories, see this link.

Here's the website for Rust is Gold Coffee Shop, here in ABQ.

More about my coffee shop typing and the Cold Hard Type project in this video:

Thermal Typing at Rust is Gold

Post-Script: Ted Munk's thermal paper roll holder was much more pragmatic than mine. As is usual for these kinds of projects, I rummage through a bin in my work shop for just the right bits. Usually they aren't ideal, but I figure a way to make them work. In the case of this project, it took several iterations to get a simple, workable holder system that easily breaks down flat enough to fit inside the front pouch of the Brother EP-20 carrying case, along with a roll of thermal fax paper.

When it comes time to cut or sand wood, I like to open the garage door and air out all that sawdust. But cold weather kept me from doing so, and now I have a cleanup job to do when (or if) it does warm up sufficiently.

Here are the components to my paper roll holder, disassembled:



To assemble, first one end of the brass rod is inserted into one of the side brackets:



Then the paper roll is slipped onto the rod:



Then the other bracket is installed:



There's enough clearance for the bottom of a full roll not to drag on the table:



The bracket has a low profile and sits conveniently just behind the machine. In practice it helps to pull out a "service loop" of paper and drape it behind the bracket, so the paper has enough slack to easily feed into the machine.



I thought the experience of writing using this system was actually rather good; better I think than using a manual typewriter in public, which for me is fraught with constant worry about what other people think about the noise. Definitely a usable writing system, and easy to tote around.

Here's a video about today's venture:

Targus Bag & R.I.G. Typing

Errata: 3rd paragraph should read "AlbuQWERTY Type Writer Society;" in my haste to upload I failed to make annotations.

The Rocket fits snuggly in the Targus bag:


A toy typewriter for sale at Rust is Gold:


Their unique parking lot sign:

Update Just to Update

Post-Script: I had a pleasant distraction while writing my treatment for the Cold Hard Type project, which was that the co-owner of the Rust is Gold coffee shop asked me to type some index cards with names of coffee beans that they roast, for a photo shoot she was doing. I was happy to oblige.



They have a cool motorcycle display, that changes every once in a while, as a local club meets there.



One of the adjoining booths sells '70s HiFi and guitar stuff. Pretty cool.



As you can see in the top photo, I wrote my treatment on the Royal Mercury (the more recent one I'd acquired), but this typecast today was written on the old Underwood Portable.



Yesterday, while working on the video about the typing platform, I pushed my office chair back and tipped over the folding tray table, with Underwood atop it, which crashed to the floor. Luckily it is hardwood with a rug on top. The machine doesn't appear harmed at all, which surprised me. Gotta be more careful!

Impromptu Birthday Bash Type-In

Post-Script: The niece's husband tried his hand at the little Olympia SF, and he blazed away using the middle finger of each hand. It turns out his first book was written, years ago, on a larger Olympia, using the same typing style.

He asked her why a typewriter, isn't a computer more efficient. Her answer was something along the lines of wanting to get into typing again; she also has a desire to do some serious writing, and feels a typewriter would suit her best, as least in the initial phases.

They both live an hour up the highway in Santa Fe; I told her in my letter that should she need ribbons or other assistance, just call.

I think she made the right choice of the SM9 as a serious writing tool. Nothing wrong with the Smith-Coronas, except they're older, have seen a harder life.



I also had her try Adobe Rose, the Royal QDL, seen above next to the Brother Charger 11, which still had its lid attached, one of her other choices. Unless portability were her main concern, she was wise to steer clear of the Brother, as it's not nearly as easy to type on.

She made some interesting observations about the feel of the keyboards of these various machines. The spacing of the keys, and slope of the keyboards, has a lot to do with typing comfort, as she wisely discerned; to her, the SM9 felt easier than the Hermes 3000.



Above is the 1930 Underwood Portable with a roll of paper; we used it during the birthday party for people to type comments upon. Always a great machine to have handy.



This morning I stopped in at Rust is Gold, a new coffee shop + artists collective, on Eubank near Constitution, with the Olympia SF, for some blog writing and coffee slurping. Fun was had, and I struck up a conversation with a fellow patron who was interested in the typewriter. I didn't have business cards with me, so typed him one on a scrap of paper.